“Pierce to the Soul” Audiences Raise Money for Transit Arts!

April 26th, 2010

Our world premiere of Chiquita Mullins Lee’s Pierce to the Soul closed Sunday to great critical and public acclaim. What a pleasure to work on a play that attracted such community-wide interest and  participation, involved such high-calibre artists, and featured such great collaborations!

Actor Alan Bomar Jones as Elijah Pierce in "Pierce to the Soul"

Actor Alan Bomar Jones as Elijah Pierce in "Pierce to the Soul"

One of our collaborators on Pierce to the Soul was Transit Arts, headed up by our good friend Jackie Calderone.

Jackie Calderone, Artist and  Director of Transit Arts

Jackie Calderone, Artist and Director of Transit Arts

If you aren’t familiar with Transit Arts, their mission is “To engage young people through outstanding arts programs, performances, exhibitions, and entrepreneurial opportunities, while celebrating the vitality of our urban environment.” They partner with  the Columbus Federation of Settlements and the Greater Columbus Arts Council to  “transport young people to a place of discovery — where creative abilities expand & doors open to a world of possibilities.” Click here to check out their website!

Transit Arts

They are doing wonderful work and are a sterling example of how the arts can be used to enrich, enliven, awaken, and uplift us!

This past fall Transit Arts hosted the first of our fall Pierce to the Soul workshops, held at the Central Community House. We had about twenty young adults from the Transit Arts programs join us for the evening.  They heard actor Alan Bomar Jones read an excerpt of the play,  were pulled up front to participate in the play reading with him, and then joined in a lively discussion of the play with the playwright, director, actor, and dramaturge (scholar). The discussion was incredibly productive for the artistic team. Our friends from Transit Arts were clearly engaged by the play and had ideas and insights to share about what they liked about it and what could be made better. It was so refreshing to have such a young perspective on the play in progress, and their ideas and impressions helped us shape what would become the final draft of the play.

Actor Alan Bomar Jones interacts with a Transit Arts audience member

Actor Alan Bomar Jones gets makeup help from a Transit Arts audience member

This season we have ended each performance by asking the audience to help us help a human services organization in the city. We have taken up collections for Maryhaven, Broadway Cares/Equity Fights Aids, and the Channel 10 Family Foundation. As we contemplated Pierce to the Soul, Transit Arts seemed like a natural fit;  taking up a collection for them seemed like an appropriate continuation of our collaboration on this play.

Our audiences responded to our call for donations with the generosity and enthusiasm that has marked this campaign, and I am thrilled to report that CATCO audiences have raised $4000 for Transit Arts!

We thank you all for your enthusiasm for  Pierce to the Soul, and your generous support of our colleagues at Transit Arts!

Now, we start gearing up for our season finale, The Mystery of Irma Vep!

geoffrey Nelson and Jonathan Putnam in CATCO's "The Mystery of Irma Vep." Photo by David Alkire

Geoffrey Nelson and Jonathan Putnam in CATCO's "The Mystery of Irma Vep." Photo by David Alkire

–T.J. Gerckens
Managing Director

“The Best Thing to Happen to the Riffe Lobby in Years!”

April 16th, 2010

…..That’s how several people have described the displays in the Studio Theatre Lobby, which is chock-full of Elijah Pierce art, information, and inspiration!

We are proud to be displaying a variety of artwork related to our world premiere production of Pierce to the Soul, by Chiquita Mullins Lee. The displays are really something to see, and we hope everyone will take some time to check them out.

At the end of the first preview 11@11 matinee of Pierce to the Soul,  the audience streamed out of the theatre, excitedly talking:

–About 25% headed over to look at the display of original Elijah Pierce art and the original Elijah Pierce “preaching stick,” along with Dramaturge Bill Childs’ displays

–about 25% headed directly over to gaze at art pieces inspired by Elijah Pierce that were created by 8th graders from the Monroe Traditional Alternative School

–about 25% gathered in the center of the lobby, talking about Pierce, the play, and recollections of personal encounters with Pierce.

–The remaining 25% made a bee-line for the bathrooms. I guess you gotta go when you gotta go!

The remarkable thing is that the audience largely stuck around the lobby. Whether they were looking at the real Pierce art pieces, the informational displays,  the student artwork, or simply chatting, most of them wanted to stay and continue the experience that began in the theatre.

This is a major win for theatre!

At CATCO, we often talk about theatre being an experience that should begin before the performance, peak during the show itself, and continue long after the applause dies down, and Pierce to the Soul is a great example of this!

We are extremely appreciative of the people and institutions that have helped us enrich the theatre experience with the displays in the lobby.  Here is some background information on what you can experience in the lobby during the run of Pierce to the Soul:

The Columbus Museum of Art has generously prepared and loaned us an exhibit of original Elijah Pierce art and “ephemera.” This display, curated by Michael Hall, includes two pieces of Pierce’s work from the museum’s study collection, along with background items such as flyers advertising Pierce’s preaching tours of the south, photographs, and such. The museum has also loaned us the secured display case to house such treasures.

Also in the display case is Elijah Pierce’s original “preaching stick:”

Elijah Pierce: "Preaching Stick" on loan from Ralph Van Gundy

A portion of Elijah Pierce's "Preaching Stick" on loan from Ralph Van Gundy

The stick is owned by Ralph Van Gundy of Dayton, whose mother, Sarajane Van Gundy, was a friend of Elijah Pierce. Pierce gave her the unpainted stick, which is covered with intricate carvings, many of which are autobiographical and have a story that ties to Pierce’s life. Ralph said his mother drove from Lancaster, where she lived, to visit Pierce in his barbershop for many years. “She found him to be very inspirational and spoke about him such admiration,” he said, and likened Pierce to a modern-day prophet. “My mom passed along some fascinating stories. She would say Elijah would not sell a piece to a person he didn’t like. … You had  to have deep-rooted significance to be a recipient of a piece.”

Ralph Van Gundy read about CATCO’s upcoming production and called us to see if he could share the masterpiece with our patrons. He told me that he wanted to share it with people, instead of keeping it to himself in his home. In my discussions with him, it became clear that Pierce has made a very deep impression on both him and his mother, and that this was more than just an art-piece to him. All of his words conveyed a deep connection with the piece and with Pierce, and a deep desire to share this with others. We are grateful to Ralph for sharing this work and his story with us!

Another wonderful display is the Elijah Pierce-inspired artwork created by 8th grade student at Monroe Traditional Alternative Middle School (Columbus Public Schools), that adorns the west and south walls of the lobby. This winter I was contacted by Monnette Gleason of the Monroe School whose students were doing a project on Pierce’s neighborhood. The project included many disciplines: the media classes were creating a DVD of the history of the area, the music classes were studying the rich spectrum of music that flourished in the neighborhood,  the english classes  had writing assignments that culminated in written pieces to support the displays  being created by the students, and the arts students were studying Aminah Robinson, Elijah Pierce, and Kojo Kamau (whose amazing portrait of Pierce is the art featured on our posters and ads!).

We connected with Megan Evans, the Monroe art teacher, and invited her students to attend a workshop on our play, held at the King Arts Complex.  Alan Bomar Jones, the actor portraying Pierce in the CATCO production then visited the students at the school and brought back stories of how wonderful their art is, and we arranged to display the student art in our lobby.  Each student created a portrait, in a style inspired by Elijah Pierce, of  a jazz musician who has performed, or is performing in the neighborhood . They created their portraits in paper mache built on plywood and then painted them.

The art is truly remarkable!

Gracen Guice and her Pierce-inspired art

Gracen Guice and her Pierce-inspired art

Zaria Ware with her Pierce-inspired art

Zaria Ware with her Pierce-inspired art

Leon Delorch_7

Leon Delorch and his Pierce-inspired art

Tyrell Harris_7

Tyrell Harris and his Pierce-inspired art

We thank Megan, Monnette, and the students at Monroe for sharing their creativity with us! After the CATCO production, the artwork will be on display at the King Arts Complex.

Other visual treats include a running slideshow of Pierce’s work, with images from the Columbus Museum of Art and a display about Pierce and the process of creating this play. The latter was created by Dramaturge Bill Childs and includes a marked-up page from a draft of the script  showing notes from playwright Chiquita Mullins Lee and costume and set design renderings. Click here to read Bill’s Playnotes and more.

We invite you to take a few moments and enjoy the displays in the lobby. We have enjoyed putting them together, and the creativity is an inspiration for us all!

–T.J. Gerckens, Managing Director

Did Your Taxes Pierce You to the Soul? Come to Tonight’s 1/2-Price Happy Hour at CATCO!

April 15th, 2010

Need a break from your last minute filing frenzy? Have you filed and need to reward yourself?

Come to tonight’s 1/2-Price Happy Hour at CATCO and treat yourself to the World Premiere of Pierce to the Soul, by Chiquita Mullins Lee!

Tonight only, tickets to see this play, which the Columbus Dispatch described as “fluid and fascinating…..engaging and enlightening” are 1/2-Price, and drinks at the lobby bar are 1/2 price as well. The bar will open one hour before showtime for your happy hour pleasure!

For this performance, we have teamed up with the Columbus Museum of Art, The Monroe Traditional Alternative Middle School, and Ralph VanGundy to adorn our lobby with Elijah Pierce art & inspiration. The displays feature original artwork by Elijah Pierce, including his original “preaching stick,” a slide show of his works, a display of his work and related “ephemera” curated by the Columbus Museum of Art,  and a wall full of great portraits of jazz musicians in styles inspired by Pierce, graciously loaned to us by the Monroe School.

Come be entertained, inspired, and immersed in the story by this local legend at a price that can’t be beat!

Click here for more information on Pierce and this play, and click here to read Michael Grossberg’s blog about our lobby displays.

See you at the theatre!

World Premiere “Pierce to the Soul” Opens Tonight!

April 9th, 2010

I am thrilled that our World Premiere play Pierce to the Soul opens tonight, Friday, April 9!

This is a play about a Columbus hero, by a Columbus playwright, and produced by  Columbus’ premiere professional theatre, and it has been fun to watch the community come together to shape this new American play!

At the public workshops and readings*,  we’ve had  people listen to and react to the play, share their suggestions, and tell us their stories of personal connection with Elijah Pierce. He clearly was a man who touched many lives, from many parts of society and many races. Those who have sought us out to share their stories were personally moved by this man, and their stories are a brilliant window into why Chiquita and Geoff were moved to work so hard to create a play about him.

Playwright Chiquita Mullins Lee

Playwright Chiquita Mullins Lee

CATCO Artistic Director Geoffrey Nelson

CATCO Artistic Director Geoffrey Nelson

Many people have created great works of art, but not all of them would make a compelling subject for a play.

Pierce is compelling.

His life and work are a testament to the human, the holy, and the creative.  He was very real and  human. He had a sense of humor, and wrestled with faith and temptation. His story speaks to us.

As our scenic designer Edie Dinger Wadkins said to me:

This is a man who you want to listen to…..

Chiquita and Geoff have endeavored to capture the essence of this man on the stage. This isn’t merely a historical narrative detailing the life of a great artist. This is a glimpse of the man behind the art. A glimpse of the man who inspired so many to come to Long Street and spend hours in his barber shop, who inspired so many to come hear him preach, who inspired so many to recognize the value and power of folk art.

This is a glimpse of the man who inspired so many to seek us out to tell of the personal connection they have with this man, connections that live on through his art.

We are proud to produce this world premiere play, we thank all who have contributed to its creation, and we invite all of Central Ohio to come celebrate the life of one of our own!

–T.J. Gerckens
Managing Director
CATCO

PS: For a wealth of information about Pierce, the process, and the play visit our website!

* These workshops were made possible by the generosity of  GCAC and the Ohio Humanities Council

Playwright Chiquita Mullins Lee and Actor Alan Bomar Jones

Playwright Chiquita Mullins Lee and Actor Alan Bomar Jones

A Peek Inside the Play Writing Process with Geoffrey Nelson

April 2nd, 2010

Creating a new play is a lengthy and often arduous process.  Work on Pierce to the Soul began in 2004, when playwright Chiquita Mullins Lee began her research.  There’s never been a full biography of the famous local wood carver and a lot of the articles that were written about him are not readily available.  Chiquita did find a few interviews and better yet, she found a number of people who remembered Pierce (who died in 1984) and who shared their stories with her.

After Chiquita had written an initial “treatment” (a scenario), we had many discussions about how to structure a bio-play.  Chiquita wrote several early drafts and at the same time continued her research.  One of our major goals has been to create an accurate portrayal of Pierce.  This has sometimes been a challenge because of sources who contradict each other (even Pierce sometimes contradicts himself in interviews) and because of gaps in the record.

There was one aspect of Pierce’s character that surprised us (given how stern he looks in most of his photos), described by Columbus Citizen-Journal columnist Larrilyn Edwards in 1984:

“Although he was in his 90’s, the man always had a twinkle in his eye and great recall. His sense of humor was ever present, but you had to listen carefully because his witty comments were often delivered with a straight face and in a soft voice.”

Many of those Chiquita interviewed who had encountered Pierce expressed the same sentiment — and his sense of humor is continually evident in Pierce to the Soul.

Actor Alan Bomar Jones with a Monroe Middle School student at the Pierce to the Soul Workshop held at the King Arts Complex

Actor Alan Bomar Jones with an 8th grade Monroe Traditional Middle School art student at the Pierce to the Soul Workshop held at the King Arts Complex

In 2006, we began the process of holding public play development workshops (described in another blog ).   With the addition of Bill Childs as dramaturge and (in 2008) Alan Bomar Jones as actor, the core team who would work on the script was complete.

This past year, thanks to grants from the Ohio Humanities Council and the Greater Columbus Arts Council, we’ve been able to spend three additional weeks outside of rehearsals on script development.  Playwright, director, dramaturge and actor have spent hours sitting around a table, reading the script and picking it apart.  Sometimes the discussions are about major themes or scenes, sometimes we argue about a single word or two (“laugh” vs “chuckle” vs “snicker”).  Speeches and even entire sections of the script have migrated from one place to another.  And, of course, there have been major cuts:  following the run-through for designers, the play went from 62 to 50 pages.

Re-writes and re-thinking have continued throughout the five-week rehearsal period – in fact, re-writes have dominated the rehearsals.  Chiquita has provided us with a new version of the play every few days (we’re now on #21 – and that is just since rehearsals began) .  After one of our rewrite sessions, a page of the script will look like this:

A page from the working script showing markups from the day's rehearsals

A page from the working script showing markups from the day's rehearsals

But all the planning, all the testing and editing and rewriting is all speculative until we actually perform the entire play for an audience.  Opening night is Friday, April 9th!

Click here for more information on Elijah Pierce and Pierce to the Soul!

–Geoffrey Nelson,  Artistic Director

CATCO and Phoenix Announce the First Season as a Merged Company!

March 28th, 2010

Well, the moment we have all waited for is upon us!

At least the moment I have been waiting for is upon us!

It has been so hard not to talk about the excitement of the new season and I am thrilled to be able to get it out in the open!

If you haven’t already seen it, Michael Grossberg has a great story in today’s Columbus Dispatch detailing what we have in store for next season.theatreisilluminating

What excites me about the upcoming season?  Well, I guess that would be all of it– but I am particularly excited about the world premiere musical which will kick off our season. It is great to be working with Andy Sandberg, one of the producers of the Broadway production of  Hair to create this new musical and have it premier right here in Columbus at CATCO.  Another offering that gets me fired up for 10-11 is  What the Butler Saw, which had me laughing out loud when I read the script. (I felt stupid laughing all alone in my office, but this brilliant sex farce by Joe Orton really struck me.) It is also a play CATCO has been wanting to do for years, so it is exciting to see it on the season. I am also fired up about working with our colleagues at the Phoenix, and am particularly looking forward to seeing The Legend of Sleepy Hollow with my two sons. It will be a wonderful Halloween event for my family!

But there is so much more….

I won’t go through the entire lineup here, but do want to let you know that we have information on all the shows here in our www.catcoistheatre website as well as a video interview with incoming Artistic Director Steven C. Anderson that gives you some insights into the thinking behind the plays.

If you attended our Gala in February, you already know that our 2010-2011 season is dedicated to William B. Conner Jr.  Bill has been instrumental to CATCO’s survival over the last six years, and has been key to nurturing and assisting numerous theatre and arts organizations throughout Columbus. Without his unique vision and inexhaustible energy, Columbus’ art scene would be much lonelier and less vibrant, and our city wouldn’t be nearly as wonderful a place to live and work. Thank you Bill!

Click here to explore the  upcoming season of CATCO, Home of the Phoenix Theatre for Children, and to watch the interview with Steven!

–T.J. Gerckens, Managing Director

CATCO-Phoenix 2010-2011 Season to be Announced this Weekend!

March 26th, 2010

Since we announced the merger of CATCO and the Phoenix this fall, many people have been eager to know what the newly merged company will bring to Columbus  audiences next season.

Well, the wait is almost over!

This Sunday, the Columbus Dispatch will be running  Michael Grossberg’s story announcing the inaugural season of the merged company, and you won’t want to miss the news!

I can’t give much away, but the new season will build on the strengths of both of the companies to  create a season of great plays for “grown ups” and kids alike!  It will feature a world premiere, new and familiar faces, great comedy, and something a little provocative as well.

Be sure to watch the Dispatch for the season announcement on Sunday, and your mailbox next week for your subscription renewal package!

CATCO Audiences Make a Difference in Our Community!

March 17th, 2010

In these difficult economic times  everyone is struggling, and many non-profits are finding it difficult to serve those who dearly need their help.  AT CATCO we have been helping out by asking our actors to collect money for different community organizations after every performance.  Our audiences have jumped right in to help, and we are proud to announce results of the collections we have taken so far this season:

For our recent production of Evie’s Waltz by Columbus native Carter W. Lewis we collected money for the 10TV Family Fund, which seemed appropriate, given the play’s examination of  family relationships.   Together with our patrons, we collected $3240   to help the 10TV Family Fund provide healthy meals for needy Columbus families as they have been doing for twenty years.  If you missed the opportunity, or would like to contribute more,  click here for more information or to make an online contribution.

10TV Logo

Under the direction of our Production Stage Manager Cheryl Ruschau, cast members took a post-show collection each nigh after our production of The Seafarer to benefit Broadway Cares/Equity Fights Aids. Through the generosity of our patrons we raised  over $3400 for a very worthy cause! We are proud to be participating with our colleagues on Equity stages across the country and making a contribution to fight HIV/AIDS.

Broadway Cares

For our season opener, Murderers by Jeffrey Hatcher, we collected over $1300 in donations for Maryhaven, central Ohio’s oldest and most comprehensive treatment facility for people with alcohol and drug dependencies.  We’re happy to post this response from Maryhaven:

The MARYHAVEN WOMEN’S CENTER

Thanks CATCO patrons who donated in

Memory of Harrison Smith

update SMITH AND MARYHAVEN

Maryhaven

Thank you so much to all who have helped CATCO give back to the community, together we can make a difference!

Did You Know Elijah Pierce?

March 10th, 2010

Rehearsals are now underway for Pierce to the Soul, the world premiere play by Chiquita Mullins Lee about the internationally-renowned folk artist and Columbus icon, Elijah Pierce.

In developing Pierce to the Soul over the past four or five years, we’ve done several public workshops.  At each workshop an actor reads an excerpt from the script, playwright Chiquita Mullins Lee talks about her efforts to research and write the story, and then there is an open discussion with the audience about Pierce and the play.

Dayton actor Alan Bomar Jones, who will play Pierce in the world premiere, has participated in many of these workshops, as has veteran dramaturge Bill Childs. I’ve also participated as the director.

Actor Alan Bomar Jones portraying Elijah Pierce at the "Pierce to the Soul" workshop at the Columbus Museum of Art

Actor Alan Bomar Jones as Elijah Pierce at the "Pierce to the Soul" workshop at the Columbus Museum of Art

Elijah Pierce died in 1984, but there are still people around Columbus who knew him – some who met him only once, some who knew him quite well. At almost all of these workshops – and we’ve done nearly ten – audience members have come forward with interesting anecdotes about Pierce.

Actor Truman Winbush, who read the role of Pierce in one of the early workshops, told us that he had visited Pierce’s barbershop as a teenager and provided a very amusing anecdote about the artist’s attitude towards the younger generation’s hairstyles. (Truman’s story will probably find its way into the play).

At Ohio Dominican University, one woman told us that her father – who used to rehab houses in Pierce’s neighborhood – would often take her with him when he dropped in at Pierce’s barbershop: “Mr. Pierce was a great BS-er – just like my dad!”

At the Columbus Museum of Art, another woman told us that she had taken her Bexley cub scout troop to visit Pierce. It was the early 1970’s, and she had taken the boys to the Columbus Museum of Art, and – having heard of Pierce – decided on the spur of the moment to walk them over to the barber shop on Long Street. Pierce happened to be there and welcomed them into his shop, where he patiently showed them his biblical “Book of Wood” – and generously took the time to explain his art.

At a workshop for the Columbus Historical Society, a man told us that as a young boy he had been hired by his grandfather, another barber, to sweep up the hair in his shop. Mr. Pierce, he remembered, would stop by to visit and seemed to the boy to have a real dignity.

Someone at one of the earliest workshops also pointed Chiquita to an extremely valuable source of information: Mr. Pierce’s godson.

All the stories we heard about Pierce pointed in the same direction: a man who was devout, generous, gentle, dedicated, humorous, proud, humble and completely unique.

Did you know Pierce? Or meet him? We’d love to hear from you.  You can e-mail me at  gnelson@catco.org.

–Geoff Nelson,  Artistic Director

How’d They Do That??? Greg Bell on the Special Effects for “Evie’s Waltz”

March 1st, 2010

CATCO’s production of Carter W. Lewis’ Evie’s Waltz features a number of special effects, things that break, blow up, or otherwise meet their demise during the course of the performance each night. These things seem to happen suddenly and magically, helping us suspend our disbelief and become lost in the theatrical experience.

Several people have asked us “How’d you do that?”

The answer is we “did that” by hiring the right person for the job. In this case, the right person is Greg Bell, the Technical Director for the Otterbein College Theatre Department.

Richard Ades, in his Other Paper review of our production said

“But the real offstage hero is Greg Bell, designer of the special effects that let us know Danny is out there somewhere, waiting to have the final word.”

Greg is a genius at stage mechanics and things technical, and seems to really enjoy a fresh challenge. We have been fortunate to have his expertise on several CATCO production in the past, helping us create the illusion that crockery was being “shot” off the mantle in Sleuth, and engineering the turntable that kept our world premier of You’re My Boy spinning in the right direction.

Greg created a plethora of effects for “Evie’s Waltz,” utilizing pneumatics (air-power), remote switching, and custom-fabricated steel pieces to make the magic that appears on on the stage each night.

Here is a video clip where Greg talks about creating the effects, and gives an inside look at how he makes them work.

Greg Bell on the Special Effects for CATCO’s Production of “Evie’s Waltz” from CATCO is Theatre on Vimeo.

Enjoy!